Cold brew, warm vibes and strong community spirit have surrounded the launch of a new Latina-owned coffee company in Houston called Las Perras Café, whose first brick-and-mortar cafe recently…
RetailWelcome to Design Details, an ongoing editorial feature in Daily Coffee News focused on individual examples of coffee shop architecture, interior design, packaging design or branding. If you are a coffee…
RetailTypically expressed as meters above sea level, the elevation of the coffee farm has long been a signature marketing point among purveyors of high-quality, traceable arabica coffees. Traditional messaging…
IndustryBusinesses in Rockville, Maryland’s Woodley Gardens shopping center gained a new neighbor this month with the opening of Neighbors Coffee‘s first cafe. The shop occupies a 1,200-square-foot space previously…
RoastingBusinesses in Rockville, Maryland’s Woodley Gardens shopping center gained a new neighbor this month with the opening of Neighbors Coffee‘s first cafe. The shop occupies a 1,200-square-foot space previously…
First Light Coffee is on the rise in Maryland, helping customers meet the dawn with freshly roasted and delivered coffees. Former USAID employee Annie Leverich founded the online coffee…
RoastingFirst Light Coffee is on the rise in Maryland, helping customers meet the dawn with freshly roasted and delivered coffees. Former USAID employee Annie Leverich founded the online coffee…
Wholesale and direct-to-consumer roasting company Dillanos Coffee Roasters officially relaunched the Batdorf & Bronson brand, marking the return of one of the Pacific Northwest’s most iconic coffee names. The launch…
RoastingWholesale and direct-to-consumer roasting company Dillanos Coffee Roasters officially relaunched the Batdorf & Bronson brand, marking the return of one of the Pacific Northwest’s most iconic coffee names. The launch…
Keurig Dr Pepper (KDP) is acquiring coffee conglomerate JDE Peet’s in a transaction valued at approximately $18 billion, with plans to form the world’s largest pure-play coffee company. Following the…
RoastingKeurig Dr Pepper (KDP) is acquiring coffee conglomerate JDE Peet’s in a transaction valued at approximately $18 billion, with plans to form the world’s largest pure-play coffee company. Following the…
As part of NCA Next Gen’s ongoing interview series, Everett Brown, Managing Director at Westfeldt Brothers, Inc., recently had the opportunity to sit down with Felton Jones, Roastmaster and Coffee Buyer for PJ’s Coffee. In this conversation, Everett and Felton discuss Felton’s industry experience and […]
Coffee CultureAs part of NCA Next Gen’s ongoing interview series, Everett Brown, Managing Director at Westfeldt Brothers, Inc., recently had the opportunity to sit down with Felton Jones, Roastmaster and Coffee Buyer for PJ’s Coffee. In this conversation, Everett and Felton discuss Felton’s industry experience and what the coffee industry can do to provide more opportunities for underrepresented groups.
Everett Brown: Felton, thanks for sitting with me. Could you tell me a bit about your background and how you began your career in coffee?
Felton Jones: I started with PJs Coffee of New Orleans back in the 90s as a part-time employee and eventually had the opportunity to move into a full-time position. I was doing everything from making cold brew to delivering coffee. In my time as a delivery driver, I had many opportunities during my downtime to learn from Phyllis Jordan, the founder of PJs Coffee. I used those opportunities to join Phyllis and my predecessor, Scott Reed in the cupping lab. I was always willing to learn from the team, and the rest was history.
EB: You and I have known each other for many years, and we recently spoke about underrepresented groups in coffee – particularly, how there aren’t enough opportunities to get into positions of influence. As an African American in the industry, what does representation in coffee mean to you?
FJ: In one word: opportunity. If opportunities were out there, African Americans would be able to go for those opportunities and positions of influence. The coffee industry is extremely relationship-driven, in the best way. But on the other hand, if you’re not in on those relationships and don’t have the ability to be in on those conversations, it’s hard for those opportunities to trickle down to other people.
I see more black and brown people in coffee at the barista level. I think we need a bridge that connects the barista world to the rest of the industry. The opportunities that could benefit those workers are tremendous, and once we create that bridge between the front line and higher levels in the supply chain, I think we will see a wheel begin to turn. Those relationships will give underrepresented groups the opportunity to get into more positions of influence in coffee.
EB: Do you see more representation among the Next Generation of coffee professionals?
FJ: I believe representation over the last 20 to 30 years has been stagnant. However, I do see representation from a more individual perspective. I think about people like Phyllis Johnson, President of BD Imports and Founder of The Coffee Coalition for Racial Equity. There are more independent businesses and owners getting started in coffee that are coming from newer groups.
EB: What measures do you think the industry could take to provide more opportunities for underrepresented groups to get into the coffee supply chain?
FJ: As I see it, the most obvious opportunity is outreach and introduction of the industry to HBCUs (historically black colleges and universities). Whether it be through a general assembly, seminars, or curriculum, this is an opportunity to make an appeal as an industry to individuals who are wondering “What’s next?”
I think about my youngest, who is beginning to start his senior year in college and will be approaching this big moment in life soon. As an industry, we could capitalize on this opportunity to reach out to young people and say “Hey, what about coffee?”
This strategy could be a bit exclusive to those who don’t attend college or have the opportunity to pursue higher education. There are opportunities to reach out to high schools and get to people who enter the workforce early. Connecting to coffee shops on and around college campuses or in cities to show interest and outreach would work as well.
EB: What hurdles and challenges did you experience in your career that you hope to help others learn from?
FJ: I have been in the coffee industry for 30 years, and the last 10 to 15 years have been increasingly easy for me. My company stood behind me and sort of made me the face and name of our brand. It’s amazing to have a brand that sticks behind you. It adds a level of credibility to your name when you are entering those decision-making situations. I have our company, PJs, to thank for all of that help.
I have also seen internal challenges, though. Usually, these are challenges in trying to separate the business side of things from the artisan aspect of coffee. It’s a matter of not looking at just the balance sheet, but saying “We really are a coffee company. We know what we are talking about and we’re not just saying stuff.”
EB: Are there any organizations in the industry that you see doing good work when it comes to furthering the representation of underrepresented groups in the supply chain?
FJ: The only one that comes to mind immediately is the Coffee Coalition for Racial Equity. The group was started by Phyllis Johnson, who I mentioned earlier. Phyllis wrote a letter a long time ago that was published to challenge the industry to show more support for groups that don’t have as many opportunities in the coffee industry. Phyllis started the CCRE to create a group and space that would fight for those individuals to receive racial equity within the industry.
EB: If you could go back in time twenty years, what advice would you give yourself about pursuing a career in coffee?
FJ: I would say have patience, be willing to get dirty, and don’t be afraid of change. I’ll be candid with you: I was having a conversation with an employee who looks up to me as a mentor and he told me “Mr. Jones, your generation is so much more loyal than my generation. If an opportunity presents itself, we’re probably going to take it.” That was an enlightening experience for me because, when I was starting out, we really didn’t move around much. But, because of that, there were opportunities that might have passed me by or passed people in my generation by. So, experiment when you are younger with moving around in the industry but also don’t give up a good thing that you have going just because.
But honestly, there’s not much I would change about my personal path. I’m happy with where I am and happy I’ve stayed with it. It’s a long journey and there are so many lessons to be taken along the way.
This year, America celebrated its 247th birthday, but did you know that coffee has been one of America’s favorite beverages for even longer? In fact, there is evidence that coffee came to the colonies as early as the days when Captain John Smith and others […]
Coffee CultureThis year, America celebrated its 247th birthday, but did you know that coffee has been one of America’s favorite beverages for even longer? In fact, there is evidence that coffee came to the colonies as early as the days when Captain John Smith and others helped to found Jamestown.
In 1670, Dorothy Jones became the first person licensed to trade coffee in the colonies, and later, drinking coffee came to be seen as a patriotic act. Choosing coffee over tea (and dumping tea into the Boston Harbor) was associated with some of America’s Founding Fathers: George Washington not only imported beans from Yemen, but even attempted to grow coffee (not so successfully) at Mount Vernon.
From those early days, coffee has cemented itself as a staple in American culture. Today, two-thirds of Americans enjoy coffee each day (per our National Coffee Data Trends report), drinking an estimated 491 million cups of coffee daily.
Among American coffee aficionados, we can find some mega-stars to add to our list of American coffee icons.
Famous or otherwise, coffee drinkers may be interested to know that evidence shows coffee is associated with many unique health benefits. For example, a comprehensive review published in the New England Journal of Medicine concluded that “consumption of 3 to 5 standard cups of coffee daily has been consistently associated with a reduced risk of several chronic diseases.”
From the earliest coffee drinkers in colonial Jamestown to today’s millions of coffee drinkers and coffee businesses, people have made coffee part of the fabric of America for centuries. And we’re proud to say that it will undoubtedly be part of our culture for generations to come.
We think that’s something to celebrate.
It’s one of the most wonderful times of the year! That’s right, spring has sprung and the latest edition of the National Coffee Data Trends (NCDT) report is here. Commissioned by the National Coffee Association (NCA) since 1950, the NCDT report is the longest-running study […]
Coffee CultureIt’s one of the most wonderful times of the year! That’s right, spring has sprung and the latest edition of the National Coffee Data Trends (NCDT) report is here.
Commissioned by the National Coffee Association (NCA) since 1950, the NCDT report is the longest-running study of American consumers’ coffee drinking patterns. Polling is conducted twice per year, with results released in the spring and fall, giving coffee insiders exclusive access to in-depth and up-to-date data on consumers’ coffee behaviors and also their overall perceptions, economic situations, and more.
For more than two decades, coffee has been America’s favorite beverage, and that shows no signs of changing. 65% of Americans drank coffee in the past day – more than any other beverage, including bottled or tap water!
While coffee’s overall popularity has not shown much change in recent years, this spring’s report provides an important window into coffee trends as consumers continue to emerge from the disruptions of the last several years. Spring 2023 NCDT results show that past-day coffee consumption is above pre-pandemic levels for all age groups, but some other effects remain.
The pandemic has not changed how much coffee Americans drink – 1.9 cups per person or 2.9 cups per past-day coffee drinker, about the same as in January 2020. However, the pandemic has had lingering effects on where Americans drink coffee.
In the new report, 83% of past-day coffee drinkers had coffee at home, up by 4% since January 2020. By comparison, 35% had coffee away from home, continuing to rebound from a low of 31% in January 2021, but down from 41% in January 2020.
Other changes in the Spring 2023 NCDT can be attributed to seasonal swings. Unsurprisingly, colder temperatures when polling was conducted in January 2023 resulted in some warmer cups – 84% of past-day coffee drinkers had a hot coffee, up 10% from polling in July 2022 (published in October).
Consumption of cold coffee overall (a category that includes both iced and frozen blended beverages) decreased by 13% from July 2022 to January 2023, while iced coffee itself decreased by 40%. Interestingly, frozen coffee doesn’t show the same swing, with consumption remaining steady at 11% since the summer.
Like coffee’s overall popularity, some other findings in today’s report show remarkable staying power. Drip coffee makers have been the most popular preparation method for at least the last 13 years since the question was first included in the NCDT. 40% of past-day coffee drinkers have had coffee prepared in a drip brewer.
In second place, 28% of past-day coffee drinkers used a single-cup brewer, holding steady with performance over the last few years.
Our NCDT insights don’t end there! That’s just a small sip of the data and analysis available in the full report. Stay tuned here on the NCD blog for more sneak peeks and click here to purchase the NCDT consumer research series.
Coffee cupping prep ©2019 Decisive Moment, NCA Convention The role of cupping in specialty coffee By Mario R. Fernández-Alduenda, The Coffee Quality InstituteExcerpted from The Sustainable Cultivation of CoffeeDiscount available for NCA members The popularity of coffee is still growing, but the definition of what […]
Coffee CultureBy Mario R. Fernández-Alduenda, The Coffee Quality Institute
Excerpted from The Sustainable Cultivation of Coffee
Discount available for NCA members
The
popularity of coffee is still growing, but the definition of what makes
a ‘good’ cup of coffee is complex.
It might be tempting to think that it is largely subjective, with so many types of coffee grown around the world, so many processes to consider throughout the value chain, and so many local and national preferences.
However, the sustainability of the industry depends on the value placed on certain types of coffee. Local economies can thrive or fail, depending on the desirability of their crop.
The
growing preference for ‘specialty’ coffee, sold at a premium price, is making the
quality question even more critical. The ability to distinguish specific characteristics
that make some crops more desirable than standard commercial coffee has become
a major consideration over the last 20 years.
Physical characteristics of the bean or cherry are not good indicators of flavor in the cup, so how is this important choice to be made?
Cupping, the process of grading coffee quality based on a tasting protocol, is often the basis of quality decisions.
Is it, however, reliable when the final judgement is made by consumers who have rarely seen roasted beans and almost never the green beans?
The evolution of coffee
tasting
Although instruments have been created to analyze the quality of coffee cherries and beans, our senses remain the only practical test of flavor.
Less
than 20 years ago, each coffee producing country had its own system for grading
coffee. Taste wasn’t always included in the evaluation, so there was widespread
confusion about what ‘quality’ meant.
The
search began for processes that could be adopted for a harmonised world-wide system
to evaluate coffee quality. Alongside our growing passion for specialty coffee
over the last 15 years techniques that use our senses to assess coffee quality
and flavor have developed.
The Specialty Coffee Standard is now widely used to define green coffee that can be considered ‘Specialty Grade.’
The Specialty Coffee Association (SCA) Cupping Protocol is used to grade specialty coffee. Its ten-point profile is more comprehensive than previous methods and it is used generally for Arabica coffee, rather than focusing on a single country of origin.
Cupping as a
measure of coffee quality
Using a new cupping protocol that focuses on the sensory profile of coffee demands a new generation of coffee professionals who are trained in sensory assessment.
Tools such as the Coffee Wheel and ‘Le Nez du Café’ kit have been developed using a range of reference aromas to standardize the approach. Courses have also been created to develop taste-assessment skills in addition to sensory skills.
All
of this has now been included in a widely-used six-day course and examination
for ‘Q Graders’. Importantly, this has created a recognized language to
describe coffee quality. This terminology has now been grouped in categories
and structured to produce a Coffee Taster’s Flavor Wheel.
Inevitably
there are now online tools and apps based on these approaches to support
collaborative cupping and to create visual representations.
The cupping
protocol
The standardized approach can be divided into two parts; sample preparation and sensory assessment.
The conditions for roasting, grinding and brewing the coffee beans are set and ten sensory assessments are made.
First, quality scores are given for fragrance/aroma, flavor, after-taste, acidity, body, balance, uniformity, lack of defects (clean-cup), and sweetness. Any defects are identified and an overall assessment is included in a total score.
Second, intensity ratings are given for attributes including fragrance, aroma, acidity and body.
Finally, more subjective descriptive terms are used about fragrance, aroma, flavor, aftertaste, acidity and body.
Cupping as a
tool for decision-making
Cupping is the only approach to quality commonly used throughout the coffee value chain, from tree to cup.
Other measures, such as the number of defects or roast degree, are useful for specific stages along the chain but are only helpful as a quality measure when they are correlated with cup flavor. These measures certainly can’t answer questions about which is the ‘best’ coffee when cost of production is also a consideration.
The
specialty coffee industry increasingly uses the cupping ‘Final Score’ as an
indicator of value. Other than the fermentation method, this approach is only
reliable when other parameters are consistent, on a single farm, for example. Cupping
can therefore be a valid tool for helping to choose the location of a coffee
farm, assessing the quality of coffee from neighbouring plantations.
It is
more typically used to make decisions after harvesting concerning the variables
involved in processing, fermentation and drying. Importers and roasters will
also use tasting to value the beans.
The effectiveness of the method depends on the availability of cupping laboratories and qualified cuppers throughout the value chain. While sensory skills and processes can be developed though the Q Grader training course, it is only through experience that cuppers can develop their own mental reference library of coffee profiles and characteristics.
Alternative
approaches
The
full cupping protocol can be time-consuming, so large volume green coffee
traders who do not focus on the high-end specialty market will use a ‘rapid’
method. These might be company-specific and won’t give comparable quality
measures.
Dark roast and espresso-based drinks can’t be assessed using the same approach used for green beans, so roasters and retailers have developed their own tasting protocols.
Other
parameters in coffee quality
The
flavor profile must be the ultimate quality parameter for coffee. Physical and
chemical characteristics alone are not reliable indicators of quality.
However,
coffee cherry ripeness is known to be an indicator of quality that can be
assessed using photographs of cherry colour throughout the ripening process,
although this is normally variety-specific.
Sugar content or ‘brix’ (°BX) can also be used to determine
ripeness and suitability.
The
number of beans damaged during the pulping process can also be used as a
measure.
Acidity, or pH, is also a good indicator during the fermentation process in pulped coffees, although this can vary, depending on conditions.
Bean temperature and moisture levels can also affect
the final flavor.
In Conclusion
Sensory
assessment of coffee quality will continue to evolve and more reliable global
tools for consistent cupping results will be developed.
Training cuppers with a revised Flavor Wheel will be a priority for coffee producing countries, ensuring consistency of quality decisions throughout growing and processing.
It will certainly need be extended to apply to Robusta coffee.
Above all, improved understanding between sensory experts, flavor chemists, and other scientists will improve our understanding of the complex business of assessing coffee quality in years to come.
* “Flavor as the common thread for coffee quality along the value chain” by Mario R. Fernández-Alduenda, from the Coffee Quality Institute, USA, is taken from: Lashermes, P. (ed.) Achieving sustainable cultivation of coffee, Burleigh Dodds Science Publishing, Cambridge, UK, 2018 (ISBN: 978 1 78676 152 1; http://www.bdspublishing.com)
It’s more than a logo. To learn more about coffee branding, NCA members can access the on-demand webinar, “Getting Started in Coffee Branding.” By Michael Wilson, Creative Director, Made Visible Studio Branding is not some sort of black magic. Rather, it is a methodic process […]
Coffee CultureTo learn more about coffee branding, NCA members can access the on-demand webinar, “Getting Started in Coffee Branding.”
By Michael Wilson, Creative Director, Made Visible Studio
Branding is not some sort of black magic.
Rather, it is a methodic process by which an organization
defines what makes them unique and how they are different from the competition.
A brand is a promise of an experience. It is up to you, the owner of the company, to decide and control what kind of experience that is going to be.
Imagine your brand as a person who is going to throw a
party. What kind of party is this going to be? How do you want your guest (customers)
to feel? What kind of music is playing? What are you wearing? What do you
expect your guest to be wearing? What kind of room is this party being held in?
Now, how does that apply to the real world?
Well, every time a customer comes into contact with your product or brand they are getting a peak in to a party that you are controlling. It’s how your store is designed. It’s how your packaging looks. It’s how your advertising sounds. It’s what your photography makes you feel. It’s how emotional is your video content. It’s even how your employees look and sound. And, yes, it’s what your logo looks like. (Notice I put that one last).
Your logo is NOT the most important part of your branding, but simply a part of a larger system, which all must work together to make your customers have a consistent experience.
So how do you go about crafting and honing this beautiful world for your customers to experience? It’s actually a simple process, but it does take thought, time, and consideration to get it right.
1. Discovery
The first step in any branding project of any size is the discovery survey.
This is sort of like writing a business plan but much more focused on the grand purpose and personality of the business. Like I mentioned before, if your brand is the host of a party, this process determines exactly who that host is.
2. Moodboards
Moodboards are an essential step to bridging the gap from the discovery survey to real-world visual assets. It’s one thing to say your brand looks and feels like Tom Hanks in “TK” it’s another to compile photos, typography, graphics, icons, illustrations, and even songs that also look and feel like Tom Hanks in “Tk”.
The goal of a moodboard is to establish a visual target. At the end of the whole process, the assets that are created for your brand should be able to get pinned to this board and look totally at home.
3. Deliverables list
Now that you have the broad strokes for how you want things to look, you need to decide what you’re actually going to make. You’ll need to think of every single visual element you will need to create both physical and digital. This can include: packaging, signs, a website, social media assets, a set of logos, apparel, menus, stickers, business cards, pitch decks…the list could go on for miles.
But that’s ok. You don’t need to make everything at once, but you do need to know where you are going. You wouldn’t start a road trip without a map, would you?
4. First pass
Now your designer can get down to doing what they do best, designing stuff.
For the first pass of designed assets, I suggest picking 4-5 things from you big list that you want to see created. They don’t even have to be the most important items, but they should be a little different from each other.
Your designer should work up a variety of logo ideas (we
usually do 3 options) and apply that along with colors, type, illustration,
icons, copy, and photography to the 4-5 items from the big list.
A logo almost never lives alone. This is your first chance
to see not only your potential logo, but how it works amongst all the other
things your business is going to need in the visual system.
This is also your first peek at your copy. These items should include some language that fit in with what you decided in your discovery survey. You can write up taglines, menu descriptions, copy about the company, and all sorts of other copy pieces to start developing your voice.
5. Review
Once the design team compiles all of these logo designs and comps into a presentation its time to review. As with every step of the process, the details matter. You should go over every component of every system and start to whittle it down from multiple options to “the one.”
Its time-consuming and counter-productive to have your
designer develop two systems all the way through. So try to settle on one
visual language and system to go forward with.
Once you have decided on the system, make a concise and
clear list of revisions. If the copy isn’t working, say so. If the type is hard
to read, say so. If the colors are a little off, say so. The more little things
you can check off the list at this stage the better.
This is also a good point to set up whatever photoshoots might be necessary if your big list is heavy on custom photography. It’s ok to use stock photography for comps, but you really want to own your photo style when you launch your brand. Photo shoots take time to produce and often a designer needs that final art to do their job. So get those photoshoots scheduled while your designer is working on other things.
6. Revisions, revisions, revisions
The next step is to revise and perfect that original list of
4-5 assets. It’s up to you and the designer how many rounds of revisions you
want to do, but it’s important to stick to it. I have been part of many
projects that went over budget due to hours and hours of revisions that could
have been condensed and organized better.
No matter how many rounds you ultimately decided to do, be sure you are happy with the state of those assets when you are done. The branding process from here is like building a house. Each brick is laid on the previous one so if they start going sideways, you’ll end up with an ugly house.
7. Build out
The next phase should be pretty straightforward if you got the first few steps correct. You simply need to take the big list of deliverables, put it on a schedule, and start designing them. Make sure this doesn’t turn in to a copy and paste job. You want each element to be slightly unique and surprising.
Think of them like tracks on an album, you wouldn’t want every song to be the same would you?
For the bigger ticket items, like your website, you want to build in rounds of revisions. There will be a variety of items that you might think are of higher importance, so be sure to pinpoint those and build in the time to design, review, and revise.
8. Final files and brand guidelines
Congratulations! You’ve made it to the end, sort of. Now
that your entire system is designed and is all meshing and syncing beautifully
you might have to have some physical objects to make. Maybe you need a sign
painted or stickers printed or shirts embroidered. Whatever it may be, there is
going to be lead time.
Your designer should prep and deliver files to each vendor
per their specs to that your physical objects end up looking as good as your
comps.
You should also create a brand guidelines book. Even if you are small organization, this little book will help keep your brand in-line well in to the future. It will also help if you have to hand off smaller marketing tasks to your internal team. Everyone who makes anything for your brand should have this brand book at their fingertips. These are the rules of the road that will allow your brand to remain consistent. And consistency is key when it comes to building brand awareness and trust.
So there you go.
That’s a very brief overview of you go from an idea to a living breathing brand. There are a million and one ways to modify this process depending on your organization’s needs, but this should get you started.
I hope that this helps you see you brand as not just a logo, but as a collection of visual elements and ideas that all represent the same basic core values. Every interaction a customer has with your brand is a chance to surprise, delight, and entice them. The better you get at that, the more loyal your customers will be.
About the Author
Over the past 15 years, Michael has navigated a career in publishing, creating award-winning design work for Philadelphia magazine, Esquire, and Airbnb magazine. Along the way he developed his branding chops working with freelance clients. He noticed that his favorite projects and magazine layouts focused on food, whether it was “Best Restaurants” for Philadelphia magazine or an “Insider’s Guide to International Food in Queens” for Airbnb. So, in December of 2018 he decided to leave the comforts of his full-time job to pursue his passion for all-things food. He now focuses on branding and design for coffee roasters, coffee shops, restaurants, breweries, and distilleries.
Spencer Turer (Coffee Analysts), Julie O’Brien (The Coffee Trust), and Monica Walker (Walker Coffee Trading) enjoying a cupping session led by Blue Donkey Coffee at the NCA 2019 Convention in Atlanta Pt. 1: The Crema the Crop Leaders, experts, and entrepreneurs from across the coffee […]
Coffee CultureLeaders, experts, and entrepreneurs from across the coffee industry came together for the 2019 NCA Annual Convention in the Westin Peachtree Plaza Hotel in Atlanta, GA. The 3-day event was themed “Coffee at the Crossroads” and sponsored by Community Coffee, which is currently celebrating its centennial anniversary as a family-owned company.
From networking events to specialty coffee education, the jam-packed (and highly caffeinated) conference offered something for everyone.
Here, we’ve highlighted a few of our favorite moments, with more to come in the weeks ahead.
(If you attended #NCA19 and want to share what you’ve learned, share a comment below or tag @nationalcoffeeusa in your photos!)
Monica and Carl Walker’s family company, Walker Coffee Trading in Houston, Texas, is about many things – but at its core are long term relationships they cultivate with friends and family, customers and suppliers.
This spirit of community and commitment shines through in everything they do.
View this post on InstagramA post shared by The Coffee Trust (@thecoffeetrust) on
The Coffee Trust was named the second-ever recipient of the NCA Origin Charity of the Year Award, sponsored by Mother Parker’s Coffee and Tea. (Last year’s recipient was Grounds for Health.)
The Coffee Trust works in the war-devastated Ixil region of Guatemala to build prosperous and empowered coffee-growing communities.
The NCA Coffee Gives Back Program aims to shine a spotlight on the organizations dedicated to communities at origin, because we believe that amplifying these stories is important for the entire industry. And in her acceptance remarks, Julie O’Brien, The Coffee Trust Board President, shared that as a result of this recognition, the organization received an additional grant from one of their donors to further fund their work.
This year’s Award finalists – meriting special mention – were Pueblo a Pueblo, Inc. and Strategies for International Development.
Read the NCA news release, and visit the NCA Coffee Gives Back Charity Showcase.
The coffee community is committed to building a brighter future for the entire supply chain. And the best way to move forward is together.
To help facilitate cooperation and collaboration across the industry, Conservation International’s Sustainable Coffee Challenge held an all-stakeholder meeting proceeding the NCA Convention (expect more news coming out of that soon!)
Working pre-competitively with a growing alliance of organizations across the sector, the SCC can help coffee companies of all sizes get involved, see a measurable impact, and move towards true sustainability.
“The biggest opportunity we have [as an industry] is collective action,” said Miguel Zamora, Director of Market Engagement, Rainforest Alliance, during his breakout session on labor concerns at origin. “Pre-collaboration makes you more effective.”
Stay tuned – next week we’ll share insights from the new NCDT, the NCA Day of Service, and behind the scenes at the SLC Coffee Science Fair!